The Canon #7
Bob Dylan - "If You See Her, Say Hello"
For this heartbreaking track off of Blood On The Tracks, Dylan set aside his usual arsenal of surreal wordplay, self-righteous anger, and verbal switchblades. This is Dylan waving a little white flag - resigned, vulnerable, and filled with regret. The song's melody and instrumentation captures these feelings with aplomb. Over delicately plucked acoustic guitar and mandolin, Bob presents a portrait of a man wallowing in self-pity and remorse.
Since Dylan is wont to dismiss traditional song structure, there are no real verses and choruses. Just a gorgeous cyclical chord progression that undulates over the rocky emotions within the story. He sets the tone perfectly with a sly bit of guardedness: "She might think that I've forgotten her/don't tell her it isn't so." And that's about as tough as he gets. As the song unfolds, he relives scenes and memories in his mind - opening an old wound anew. Pain and sorrow pour from this opening:
In a way, this song could be interpreted as the typical "girl-who-got-away" tale, but to do so would be callous and short-sighted. Few songwriters have managed to be this unflinchingly real in their depictions of relationships and the emotions involved. There isn't always a happy ending - sometimes all you end up with are memories, regrets, and the hope that you won't be forgotten. It's not just the unhappy ending that makes it "real" - there are also his very accurate depictions of grieving and coping with loss. Most people have felt these lines before:
Nothing I say can really capture the grace of this song or properly summarize the emotional power within it. I prefer to just end with Bob's parting lines:
For this heartbreaking track off of Blood On The Tracks, Dylan set aside his usual arsenal of surreal wordplay, self-righteous anger, and verbal switchblades. This is Dylan waving a little white flag - resigned, vulnerable, and filled with regret. The song's melody and instrumentation captures these feelings with aplomb. Over delicately plucked acoustic guitar and mandolin, Bob presents a portrait of a man wallowing in self-pity and remorse.
Since Dylan is wont to dismiss traditional song structure, there are no real verses and choruses. Just a gorgeous cyclical chord progression that undulates over the rocky emotions within the story. He sets the tone perfectly with a sly bit of guardedness: "She might think that I've forgotten her/don't tell her it isn't so." And that's about as tough as he gets. As the song unfolds, he relives scenes and memories in his mind - opening an old wound anew. Pain and sorrow pour from this opening:
"And to think of how she left that night, it still brings me a chill
And though our separation, it pierced me to the heart
She still lives inside of me, we've never been apart."
And though our separation, it pierced me to the heart
She still lives inside of me, we've never been apart."
In a way, this song could be interpreted as the typical "girl-who-got-away" tale, but to do so would be callous and short-sighted. Few songwriters have managed to be this unflinchingly real in their depictions of relationships and the emotions involved. There isn't always a happy ending - sometimes all you end up with are memories, regrets, and the hope that you won't be forgotten. It's not just the unhappy ending that makes it "real" - there are also his very accurate depictions of grieving and coping with loss. Most people have felt these lines before:
"And I've never gotten used to it, I've just learned to turn it off
Either I'm too sensitive or else I'm gettin' soft."
Either I'm too sensitive or else I'm gettin' soft."
Nothing I say can really capture the grace of this song or properly summarize the emotional power within it. I prefer to just end with Bob's parting lines:
"If she's passin' back this way, I'm not that hard to find
Tell her she can look me up if she's got the time."
Tell her she can look me up if she's got the time."
0 Comments:
Post a Comment
<< Home